SPRING and FALL 1990
CONTENTS
The Vortex
Timothy Materer, “Robert Duncan and the Mercurial Self”
Edward Schelb, “Through Rupture to Destiny: Repetition in Zukofsky”
John Tomas, “Portrait of the Artist as a Young Jew: Zukofsky’s Poem Beginning ‘The’ in Context”
Jane Augustine, “Modernist Moravianism: H.D.’s Unpublished Novel The Mystery”
Dana R. Shugar, “Faustine Re-membered: H.D.’s Use of Swinburne’s Poetry in Hermione“
Andrew Lawson, “Basil Bunting and English Modernism”
Miriam Nichols, “Robin Blaser’s Poetics of Relation: Thinking without Bannisters”
Tandy Sturgeon, “Doing that Medieval Thing: Paul Blackburn’s Provençal Premises”
Robert O’Brien Hokanson, “‘Projecting’ Like a Man: Charles Olson and the Poetics of Gender”
Peter Baker, “Poetic Subjectivity in Olson’s Maximus Poems“
John Walen-Bridge, “Gary Synder’s Poetic of Right Speech”
The Explicator
Anne Shifrer, “The Asperities of Survival in Marianne Moore’s ‘The Jerboa'”
George Monteiro, “George Oppen’s Hudson River ‘Night Scene'”
The Bibliographer
Vincent Prestianni, “William Carlos Williams: An Analytic Bibliography of Bibliographies and Selective Checklist of Surveys of Criticism, Special Collections, Previously Unpublished Work, and Miscellanea”
The Reviewer
Richard L. Blevins (Edward Dorn, Abhorrences)
Edward Halsey Foster (Michael Heller, In the Builded Place)
Richard L. Blevins (Sherman Paul, Hewing to Experience: Essays and Reviews on Recent American Poetry and Poetics, Nature and Culture)
•
Leave a comment