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Archive for the ‘Vol. 13’ Category

WINTER 1993

CONTENTS

Virginia M. Kouidis, “William Carlos Williams Among the Nightingales: The Erotics and Poetics of the Modernist Love Song”

Nicole Cooley, “‘The Act is Disclosed by the Imagination of It’: Frottage, Collage and the American Origin in the Work of William Carlos Williams”

Chris Beyers, “Marianne Moore’s and John James Audubon’s Frigate Pelican”

Cramer R. Cauthen, “Deep Image and the Poetics of Oppen’s ‘Of Being Numerous'”

Anne Dewey, “History as a Force Field in Pound, Zukofsky, and Olson”

Thomas F. Bertonneau, “Life in a Human Universe: Charles Olson’s (Post) Modernism in Context (An Antropoetics)

Review

Stephen Fredman (Modernism/Modernity, eds. Lawrence Rainey and Robert von Hallberg)

Cover photograph by Burton Hatlen.

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SPRING and FALL 1992

CHARLES REZNIKOFF ISSUE

Dove Sta Memora

Charles Reznikoff, “Letters to Marie Syrkin: A Selection”

Milton Hindus, “A Poet’s Contribution to Shakespearean Interpretation and Criticism: Charles Reznikoff’s Short Story (and Appended Notes) Entitled ‘A Story for a Dramatist,’ The Menorah Journal 28.3 (Autumn 1940): 269-278″

Charles Reznikoff, “A Story for a Dramatist”

Greogorio Leti, “Excerpt from The Life of Pope Sixtus V”

The Vortex

Stephen Fredman, “Call Him Charles”

Genevieve Cohen-Cheminet, “Serial Rhythm in Charles Reznikoff’s Poetry: A Tentative ‘Misreading'”

Bruce Holsapple, “Poetic Design in Reznikoff’s Testimony

Burton Hatlen, “Objectivism in Context: Charles Reznikoff and Jewish-American Modernism”

Tom Lavazzi, “Poetic Discourse v. Legal Discourse: The Case of Charles Reznikoff”

Matthew Sweney, “Deposition: The First Testimony (1934)”

Henry Weinfield, “‘Wringing, Wringing His Pierced Hands’: Religion, Identity and Genre in the Poetry of Charles Reznikoff”

Milton Hindus, “Centennial for a Saunterer”

Benjamin Hollander, “The Eloquence in Question: Reznikoff’s ‘Manner'”

The Reviewer

Mark Scroggins (Jerome McGann, Black Riders: The Visible Language of Modernism)

Peter Kidd (Charles Olson, Maximus to Gloucester, ed. Peter Anastas)

David Grubbs (Sandra Kumamoto Stanley, Louis Zukofsky and the Transformation of a Modern American Poetics)

Peter Baker (Bruce Comens, Apocalypse and After: Modern Strategy and Postmodern Tactics in Pound, Williams, and Zukofsky)

Richard Blevins (Judith Roche, Myrrh/My Life as a Screamer)

Cover photograph of Charles Reznikoff with his niece, Camilla, 1932-33. Printed with permission of Camilla Reznikoff Wygan.


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