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Posts Tagged ‘William Carlos Williams’

2014

Special Issue

A Festschrift for Burton Hatlen

Edited by Demetres P. Tryphonopoulos

CONTENTS

Preface

Introduction

Demetres P. Tryphonopoulos, “Burton Norval Hatlen (1936-2008)”

Dove Sta Memora

Essays on and in Honor of Burton Hatlen

Marjorie Perloff, “In Memoriam: Burton Hatlen (1936-2008)

Ellen Keck Stauder, “Of Rhythm, Image and Knowing: Burton Hatlen as a Reader of Pound”

Sara Dunton, “Hatlen’s H.D.”

Christopher MacGowan, “Burt Hatlen on William Carlos Williams”

Barrett Watten, “Thinking Through Orono: After Poetry of the 1970’s (2008)

Kaplan Harris, “Editing After Pound”

Trevor Sawler, “Burton Hatlen: An Annotated Bibliography”

On George Oppen

Kathleen D’Angelo, “‘The Sequence of Disclosure’: The Truth Hidden in Things in George Oppen’s Discrete Series

Duncan Dobbelmann, “‘A Ferocious Mumbling in Public’: How George Oppen Came to Be Canonized”

Burton Hatlen, “Oppen and the Unspeakable”

Joseph Noble, “George Oppen’s Discrete Series: Things Among Others”

Siobhan Scarry, “Oppen’s ‘We’ and the Poetics of the First Person Plural”

Demetres P. Tryphonopoulos, “The Prosody of George Oppen Poetry of the 1960’s—’Tho It Is Impenetrable'”

Essays

Ira Nadel, “Ezra Pound and MI5”

Zhaoming Qian, “Mai-Mai Sze, The Tao, and Moore’s Late Poetry”

Joshua Corey, “Robert Duncan’s Visionary Ecology”

Richard Owens, “Dissociations: The McCaffery-Prynne Debate”

Sag20-1a

Sag20-2a

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FALL and WINTER 1999
(publication date 2002)

William Carlos Williams and the Language of Poetry
Edited by Burton Hatlen and Demetres Tryphonopoulos

CONTENTS

Suzanne W. Churchill, “William Carlos Williams and the Poetics of Ending Others

Kerry Driscoll, “Inversions, Evasions, Strange Machinations of Desire: William Carlos Williams and the Baroness Revisited”

Bruce Holsapple, “Williams on Form: Kora in Hell

Tom Orange, “William Carlos Williams Between Image and Object”

Piotr Parlej, “Imagine the Outside: Metaphor in William Carlos Williams”

Michael Boughn, “Reanimated Numbers and Sounding’s Modulations in Two Poems by William Carlos Williams”

George W. Layng, “Rephrasing Whitman: Williams and the Visual Idiom”

Mark Gorey, “Reading Paterson Book One: The Interpenetration of Metaphor and the ‘Gathered Spray’ of Language”

Brian M. McGrath, “Towards a Poetry of the Present: William Carlos Williams’s Paterson, Book Three”

Shane Rhodes, “Matrimony of the Sign: The IDea and the Thing in William Carlos Williams’s Paterson

Darryl Whetter, “Pounding the Concrete: Williams’s Paterson as Typographical Pastoral”

Norman Finkelstein, “The Crisis of Language and Poetic Identity in Williams’s ‘The Desert Music'”

Aldon Nielsen, “William Carlos Williams and the New Black Poetries”

Donald Wellman, “A Complex Realism: Reading Spring and All as Seminal for Postmodern Poetry”

Cover: Fragment of a Williams poem, courtesy of the William Carlos Williams estate, New Directions Publishing Corp., New York, New York. Reproduced with the permission of The Poetry/Rare Books Collection, University Libraries, University at Buffalo, The State University of New York.

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WINTER 1993

CONTENTS

Virginia M. Kouidis, “William Carlos Williams Among the Nightingales: The Erotics and Poetics of the Modernist Love Song”

Nicole Cooley, “‘The Act is Disclosed by the Imagination of It’: Frottage, Collage and the American Origin in the Work of William Carlos Williams”

Chris Beyers, “Marianne Moore’s and John James Audubon’s Frigate Pelican”

Cramer R. Cauthen, “Deep Image and the Poetics of Oppen’s ‘Of Being Numerous'”

Anne Dewey, “History as a Force Field in Pound, Zukofsky, and Olson”

Thomas F. Bertonneau, “Life in a Human Universe: Charles Olson’s (Post) Modernism in Context (An Antropoetics)

Review

Stephen Fredman (Modernism/Modernity, eds. Lawrence Rainey and Robert von Hallberg)

Cover photograph by Burton Hatlen.

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FALL 1993

CONTENTS

The Vortex

Stacy Carson Hubbard, “The Many-Armed Embrace: Collection, Quotation and Mediation in Marianne Moore’s Poetry”

Vicki Graham, “‘The Power of the Visible’: Marianne Moore and the ‘Mimetic Faculty'”

Teresa Fulker, “Not-War and the Inspiration of the Gloire in H.D.’s Bid Me to Live

Richard Frye, “‘Ascent to a Higher Plane’: The Fourth Dimension and the Imagination in Williams’s Kora in Hell and Spring and All

Penny Tselentis-Apostolidis, “On Olson’s Geographic Methodology: Quoting, Naming, Pacing and Mapping”

Susan M. Schultz, “‘The Lyric Crash’: The Theater of Subjectivity in John Ashbery’s Three Poems

The Reviewer

Richard Lowell Blevins (David Rattray, How I Became One of the Invisible)

Cover photograph by Burton Hatlen.

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SPRING 1993

CONTENTS

The Vortex

Thomas F. Bertonneau, “Consecrated in Blood/Unjustly Accused: The Ethical Paradox of WCW’s In the American Grain (An Anthropoetics)”

Jeff Poggi and Sergio Rizzo, “The Novel Poetry of Paterson

Peter Baker, “Blackburn’s Gift”

Luke Carson, “The Protesting Furor: Robert Duncan’s ‘Metaphysical Genius'”

David Kadlec, “The Flowering of Miss Jack Tar: Symzonia, Pym, and Paul Metcalf’s Both

The Bibliographer

Tom Lavazzi, “Gary Synder: An International Checklist of Criticism”

Vincent Prestianni, “Frank O’Hara: An Analytic Bibliography of Bibliographies”

Vincent Prestianni, “Kenneth Koch: An Analytic List of Bibliographies”

The Reviewer

Michael Fournier (Artie Gold, The Beautiful Chemical Waltz: Selected Poems)

Richard Lowell Blevins (Sherman Paul, For Love of the World: Essays on Nature Writers)

Robert Joseph Podgurski (Richard Blevins, The Somnolent Lucidity of Three Sleeps)

Cover photograph by Marie McCosh Alpert.

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WINTER 1990

H.D. / WCW

CONTENTS

The Vortex

Peter Quartermain, “‘Our Transported Maiden’: A Note on American Poetry, 1900-1945”

Sharon Dolin, “Enjambment as Modernist Metaphor in Williams’s Poetry”

Bruce Holsapple, “Williams, Whitehead and the Embodiment of Knowledge: ‘A New Order of Knowing'”

John Lowney, “‘A Plot of Ground’: The Problem of Cultural Identity in the Emergence of Williams’s Avant-Garde Stance”

Adalaide Morris, “Signaling: Feminism, Politics, and Mysticism in H.D.’s War Trilogy”

Kevin Oderman, “H.D.: The What in a Word”

The Reviewer

Michael Fournier (Louis Zukofsky, Complete Short Poetry)

John Martone (Cid Corman, of)

The cover photographs of H.D. and William Carlos Williams are by Man Ray, and were taken in the 1920s.

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SPRING 1982

CONTENTS

The Excerner

Carroll F. Terrell, “Illumination and Excernment”

M. L. Rosenthal and Sally M. Gall, “William Carlos Williams’ Paterson

W. S. Milne, “Basil Bunting’s Odes

Burton Hatlen, “Zukofsky, Wittgenstein, and the Poetics of Absence”

The Explicator

Gael Turnbull, “For You Who Watch”

Reno Odlin, “Brief Notes on ‘A’

August Kleinzahler, “The Walker”

The Gallery

Mina Loy, photograph, 1957

W. C. Williams & Ezra Pound, 1958

George Oppen, early ’50s

Basil Bunting, 1979

Ian Hamilton Finley & Raspberry Republic

Little Sparta Tree-plaques

The Biographer

George Oppen, “Pound in the U.S.A., 1969”

Cid Corman, “Meeting in Firenze”

Fielding Dawson, “On Olson, with References to Guy Davenport”

David Gordon, “Zuk on His Toes”

Jonathan Williams, “Mina Loy: (An Old Essay and a New Note)”

The Reviewer

Ron Silliman (Bruce Andrews, Wobbling)

Reno Odlin (Guy Davenport, Eclogues: Eight Stories)

The cover design is by Reno Odlin.

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