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Posts Tagged ‘Richard Lowell Blevins’

FALL 1993

CONTENTS

The Vortex

Stacy Carson Hubbard, “The Many-Armed Embrace: Collection, Quotation and Mediation in Marianne Moore’s Poetry”

Vicki Graham, “‘The Power of the Visible’: Marianne Moore and the ‘Mimetic Faculty'”

Teresa Fulker, “Not-War and the Inspiration of the Gloire in H.D.’s Bid Me to Live

Richard Frye, “‘Ascent to a Higher Plane’: The Fourth Dimension and the Imagination in Williams’s Kora in Hell and Spring and All

Penny Tselentis-Apostolidis, “On Olson’s Geographic Methodology: Quoting, Naming, Pacing and Mapping”

Susan M. Schultz, “‘The Lyric Crash’: The Theater of Subjectivity in John Ashbery’s Three Poems

The Reviewer

Richard Lowell Blevins (David Rattray, How I Became One of the Invisible)

Cover photograph by Burton Hatlen.

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SPRING 1993

CONTENTS

The Vortex

Thomas F. Bertonneau, “Consecrated in Blood/Unjustly Accused: The Ethical Paradox of WCW’s In the American Grain (An Anthropoetics)”

Jeff Poggi and Sergio Rizzo, “The Novel Poetry of Paterson

Peter Baker, “Blackburn’s Gift”

Luke Carson, “The Protesting Furor: Robert Duncan’s ‘Metaphysical Genius'”

David Kadlec, “The Flowering of Miss Jack Tar: Symzonia, Pym, and Paul Metcalf’s Both

The Bibliographer

Tom Lavazzi, “Gary Synder: An International Checklist of Criticism”

Vincent Prestianni, “Frank O’Hara: An Analytic Bibliography of Bibliographies”

Vincent Prestianni, “Kenneth Koch: An Analytic List of Bibliographies”

The Reviewer

Michael Fournier (Artie Gold, The Beautiful Chemical Waltz: Selected Poems)

Richard Lowell Blevins (Sherman Paul, For Love of the World: Essays on Nature Writers)

Robert Joseph Podgurski (Richard Blevins, The Somnolent Lucidity of Three Sleeps)

Cover photograph by Marie McCosh Alpert.

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