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Posts Tagged ‘Mark Scroggins’

SPRING and FALL 1992

CHARLES REZNIKOFF ISSUE

Dove Sta Memora

Charles Reznikoff, “Letters to Marie Syrkin: A Selection”

Milton Hindus, “A Poet’s Contribution to Shakespearean Interpretation and Criticism: Charles Reznikoff’s Short Story (and Appended Notes) Entitled ‘A Story for a Dramatist,’ The Menorah Journal 28.3 (Autumn 1940): 269-278″

Charles Reznikoff, “A Story for a Dramatist”

Greogorio Leti, “Excerpt from The Life of Pope Sixtus V”

The Vortex

Stephen Fredman, “Call Him Charles”

Genevieve Cohen-Cheminet, “Serial Rhythm in Charles Reznikoff’s Poetry: A Tentative ‘Misreading'”

Bruce Holsapple, “Poetic Design in Reznikoff’s Testimony

Burton Hatlen, “Objectivism in Context: Charles Reznikoff and Jewish-American Modernism”

Tom Lavazzi, “Poetic Discourse v. Legal Discourse: The Case of Charles Reznikoff”

Matthew Sweney, “Deposition: The First Testimony (1934)”

Henry Weinfield, “‘Wringing, Wringing His Pierced Hands’: Religion, Identity and Genre in the Poetry of Charles Reznikoff”

Milton Hindus, “Centennial for a Saunterer”

Benjamin Hollander, “The Eloquence in Question: Reznikoff’s ‘Manner'”

The Reviewer

Mark Scroggins (Jerome McGann, Black Riders: The Visible Language of Modernism)

Peter Kidd (Charles Olson, Maximus to Gloucester, ed. Peter Anastas)

David Grubbs (Sandra Kumamoto Stanley, Louis Zukofsky and the Transformation of a Modern American Poetics)

Peter Baker (Bruce Comens, Apocalypse and After: Modern Strategy and Postmodern Tactics in Pound, Williams, and Zukofsky)

Richard Blevins (Judith Roche, Myrrh/My Life as a Screamer)

Cover photograph of Charles Reznikoff with his niece, Camilla, 1932-33. Printed with permission of Camilla Reznikoff Wygan.


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WINTER 1992

CONTENTS

The Vortex

Rae Armantrout, “Feminist Poetics and the Meaning of Clarity”

Peter Quartermain, “Syllable as Music: Lyn Hejinian’s Writing Is an Aid to Memory

Shawn Alfery, “Toward Intersubjective Knowledge: H.D.’s Liminal Poetics”

Caroline Zilboorg, “Richard Aldington’s ‘Blizzard’: A Reading in Context”

Jeffery Twitchell, “Tuning the Sense: Cavalcanti, Marx, Spinoza and Zukofsky’s ‘A’-9”

Steve Shoemaker, “Carl Rakosi Interview”

The Reviewer

Norman Finkelstein (William Bronk, Some Words; Burt Kimmelman, Musaics)

Mark Scroggins (Peter Quartermain, Disjunctive Poetics: From Gertrude Stein and Louis Zukofsky to Susan Howe)

Burton Hatlen (American Poetry Today: Innovators and Outsiders, ed. Eliot Wienberger)

Cover photograph by Marie McCosh Alpert.

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SPRING and FALL 1992

CONTENTS

The Vortex

Thomas Gardner, “Reading the Contemporary Long Poem”

Ron Silliman, “I Wanted to Write Sentences: Decision Making in the American Longpoem”

Burton Hatlen, “From Modernism to Postmodernism: Zukofsky’s ‘A’-12”

Joseph M. Conte, “Seriality and the Contemporary Long Poem”

Anne Dewey, “The Relation between Open Form and Collective Voice in John Ashbery’s Three Poems and Ed Dorn’s Gunslinger

Mark Scroggins, “A ‘Sense of Duration’: Wallace Stevens, Louis Zukofsky, and ‘Language'”

Ruth A. Grogan, “‘Talk is what it’s about’: William Bronk’s Colloquiality”

Gerard Donnelly Smith, “Music of the Spheres”

The Biographer

M. A. Syverson, “The Community of Memory: A Reznikoff Family Chronicle”

Robert Franciosi, “Facing the Fifties: A New Reznikoff Manuscript”

Jayne Marek, “Marianne Moore’s Editorship of The Dial

Keith Tuma, “‘Anglo-Mongrels and the Rose'”

The Bibliographer

Vincent Prestiannia, “Charles Olson: An Analytic Bibliography of Bibliographies and Selective Checklist of Special Collections, Textual Studies, and Miscellanea”

Vincent Prestiannia, “John Ashbery: An Analytic Bibliography of Bibliographies”

The Reviewer

Timothy Materer (Marjorie Perloff, Radical Artifice: Writing Poetry in the Age of Media)

Michael Fournier (E. E. Cummings, Complete Poems 1904-1962, ed. George J. Firmage)

John Peck (Basil Bunting, Briggflatts und andere Gedichte)

Mark Scroggins (Joseph M. Conte, Unending Design: The Forms of Postmodern Poetry)

Cover photograph of Charles Reznikoff with unidentified student, 1970.

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