Feeds:
Posts
Comments

Posts Tagged ‘Marianne Moore’

2014

Special Issue

A Festschrift for Burton Hatlen

Edited by Demetres P. Tryphonopoulos

CONTENTS

Preface

Introduction

Demetres P. Tryphonopoulos, “Burton Norval Hatlen (1936-2008)”

Dove Sta Memora

Essays on and in Honor of Burton Hatlen

Marjorie Perloff, “In Memoriam: Burton Hatlen (1936-2008)

Ellen Keck Stauder, “Of Rhythm, Image and Knowing: Burton Hatlen as a Reader of Pound”

Sara Dunton, “Hatlen’s H.D.”

Christopher MacGowan, “Burt Hatlen on William Carlos Williams”

Barrett Watten, “Thinking Through Orono: After Poetry of the 1970’s (2008)

Kaplan Harris, “Editing After Pound”

Trevor Sawler, “Burton Hatlen: An Annotated Bibliography”

On George Oppen

Kathleen D’Angelo, “‘The Sequence of Disclosure’: The Truth Hidden in Things in George Oppen’s Discrete Series

Duncan Dobbelmann, “‘A Ferocious Mumbling in Public’: How George Oppen Came to Be Canonized”

Burton Hatlen, “Oppen and the Unspeakable”

Joseph Noble, “George Oppen’s Discrete Series: Things Among Others”

Siobhan Scarry, “Oppen’s ‘We’ and the Poetics of the First Person Plural”

Demetres P. Tryphonopoulos, “The Prosody of George Oppen Poetry of the 1960’s—’Tho It Is Impenetrable'”

Essays

Ira Nadel, “Ezra Pound and MI5”

Zhaoming Qian, “Mai-Mai Sze, The Tao, and Moore’s Late Poetry”

Joshua Corey, “Robert Duncan’s Visionary Ecology”

Richard Owens, “Dissociations: The McCaffery-Prynne Debate”

Sag20-1a

Sag20-2a

Read Full Post »

WINTER 1993

CONTENTS

Virginia M. Kouidis, “William Carlos Williams Among the Nightingales: The Erotics and Poetics of the Modernist Love Song”

Nicole Cooley, “‘The Act is Disclosed by the Imagination of It’: Frottage, Collage and the American Origin in the Work of William Carlos Williams”

Chris Beyers, “Marianne Moore’s and John James Audubon’s Frigate Pelican”

Cramer R. Cauthen, “Deep Image and the Poetics of Oppen’s ‘Of Being Numerous'”

Anne Dewey, “History as a Force Field in Pound, Zukofsky, and Olson”

Thomas F. Bertonneau, “Life in a Human Universe: Charles Olson’s (Post) Modernism in Context (An Antropoetics)

Review

Stephen Fredman (Modernism/Modernity, eds. Lawrence Rainey and Robert von Hallberg)

Cover photograph by Burton Hatlen.

Read Full Post »

FALL 1993

CONTENTS

The Vortex

Stacy Carson Hubbard, “The Many-Armed Embrace: Collection, Quotation and Mediation in Marianne Moore’s Poetry”

Vicki Graham, “‘The Power of the Visible’: Marianne Moore and the ‘Mimetic Faculty'”

Teresa Fulker, “Not-War and the Inspiration of the Gloire in H.D.’s Bid Me to Live

Richard Frye, “‘Ascent to a Higher Plane’: The Fourth Dimension and the Imagination in Williams’s Kora in Hell and Spring and All

Penny Tselentis-Apostolidis, “On Olson’s Geographic Methodology: Quoting, Naming, Pacing and Mapping”

Susan M. Schultz, “‘The Lyric Crash’: The Theater of Subjectivity in John Ashbery’s Three Poems

The Reviewer

Richard Lowell Blevins (David Rattray, How I Became One of the Invisible)

Cover photograph by Burton Hatlen.

Read Full Post »

SPRING and FALL 1992

CONTENTS

The Vortex

Thomas Gardner, “Reading the Contemporary Long Poem”

Ron Silliman, “I Wanted to Write Sentences: Decision Making in the American Longpoem”

Burton Hatlen, “From Modernism to Postmodernism: Zukofsky’s ‘A’-12”

Joseph M. Conte, “Seriality and the Contemporary Long Poem”

Anne Dewey, “The Relation between Open Form and Collective Voice in John Ashbery’s Three Poems and Ed Dorn’s Gunslinger

Mark Scroggins, “A ‘Sense of Duration’: Wallace Stevens, Louis Zukofsky, and ‘Language'”

Ruth A. Grogan, “‘Talk is what it’s about’: William Bronk’s Colloquiality”

Gerard Donnelly Smith, “Music of the Spheres”

The Biographer

M. A. Syverson, “The Community of Memory: A Reznikoff Family Chronicle”

Robert Franciosi, “Facing the Fifties: A New Reznikoff Manuscript”

Jayne Marek, “Marianne Moore’s Editorship of The Dial

Keith Tuma, “‘Anglo-Mongrels and the Rose'”

The Bibliographer

Vincent Prestiannia, “Charles Olson: An Analytic Bibliography of Bibliographies and Selective Checklist of Special Collections, Textual Studies, and Miscellanea”

Vincent Prestiannia, “John Ashbery: An Analytic Bibliography of Bibliographies”

The Reviewer

Timothy Materer (Marjorie Perloff, Radical Artifice: Writing Poetry in the Age of Media)

Michael Fournier (E. E. Cummings, Complete Poems 1904-1962, ed. George J. Firmage)

John Peck (Basil Bunting, Briggflatts und andere Gedichte)

Mark Scroggins (Joseph M. Conte, Unending Design: The Forms of Postmodern Poetry)

Cover photograph of Charles Reznikoff with unidentified student, 1970.

Read Full Post »

WINTER 1987

MARIANNE MOORE SPECIAL ISSUE
Guest edited by Celeste Goodridge

Bonnie Costello, “Marianne Moore and the Sublime”

Margaret Holley, “Portraits of Ladies in Marianne Moore and Elizabeth Bishop”

Celeste Goodridge, “Towards a Poetics of Disclosure: Marianne Moore and Henry James”

Cleo McNelly Kearns, “Consanguinities: T. S. Eliot and Marianne Moore”

Charles Molesworth, “In Earnest of Merit: Moore’s Early Fiction”

Rosanne Wasserman, “Marianne Moore and the New York School: O’Hara, Ashbery, Koch”

Sabine Sielke, “Snapshots of Marriage, Snares of Mimicry, Snarls of Motherhood: Marianne Moore and Adrienne Rich”

Lynn Keller and Cristanne Miller, “‘The Tooth of Disputation’: Marianne Moore’s ‘Marriage'”

Jeanne Heuving, “Gender in Marianne Moore’s Art: Can’ts and Refusals”

Vicki Graham, “Whetted to Brilliance”

Janet Sullivan, “Encountering the Unicorn: William Carlos Williams and Marianne Moore”

Alan Nadel, “Marianne Moore and the Art of Delineation”

Dona J. Hickey, “Marianne Moore: The Best of Both Worlds”

Read Full Post »