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Posts Tagged ‘John Ashbery’

FALL 1993

CONTENTS

The Vortex

Stacy Carson Hubbard, “The Many-Armed Embrace: Collection, Quotation and Mediation in Marianne Moore’s Poetry”

Vicki Graham, “‘The Power of the Visible’: Marianne Moore and the ‘Mimetic Faculty'”

Teresa Fulker, “Not-War and the Inspiration of the Gloire in H.D.’s Bid Me to Live

Richard Frye, “‘Ascent to a Higher Plane’: The Fourth Dimension and the Imagination in Williams’s Kora in Hell and Spring and All

Penny Tselentis-Apostolidis, “On Olson’s Geographic Methodology: Quoting, Naming, Pacing and Mapping”

Susan M. Schultz, “‘The Lyric Crash’: The Theater of Subjectivity in John Ashbery’s Three Poems

The Reviewer

Richard Lowell Blevins (David Rattray, How I Became One of the Invisible)

Cover photograph by Burton Hatlen.

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SPRING and FALL 1992

CONTENTS

The Vortex

Thomas Gardner, “Reading the Contemporary Long Poem”

Ron Silliman, “I Wanted to Write Sentences: Decision Making in the American Longpoem”

Burton Hatlen, “From Modernism to Postmodernism: Zukofsky’s ‘A’-12”

Joseph M. Conte, “Seriality and the Contemporary Long Poem”

Anne Dewey, “The Relation between Open Form and Collective Voice in John Ashbery’s Three Poems and Ed Dorn’s Gunslinger

Mark Scroggins, “A ‘Sense of Duration’: Wallace Stevens, Louis Zukofsky, and ‘Language'”

Ruth A. Grogan, “‘Talk is what it’s about’: William Bronk’s Colloquiality”

Gerard Donnelly Smith, “Music of the Spheres”

The Biographer

M. A. Syverson, “The Community of Memory: A Reznikoff Family Chronicle”

Robert Franciosi, “Facing the Fifties: A New Reznikoff Manuscript”

Jayne Marek, “Marianne Moore’s Editorship of The Dial

Keith Tuma, “‘Anglo-Mongrels and the Rose'”

The Bibliographer

Vincent Prestiannia, “Charles Olson: An Analytic Bibliography of Bibliographies and Selective Checklist of Special Collections, Textual Studies, and Miscellanea”

Vincent Prestiannia, “John Ashbery: An Analytic Bibliography of Bibliographies”

The Reviewer

Timothy Materer (Marjorie Perloff, Radical Artifice: Writing Poetry in the Age of Media)

Michael Fournier (E. E. Cummings, Complete Poems 1904-1962, ed. George J. Firmage)

John Peck (Basil Bunting, Briggflatts und andere Gedichte)

Mark Scroggins (Joseph M. Conte, Unending Design: The Forms of Postmodern Poetry)

Cover photograph of Charles Reznikoff with unidentified student, 1970.

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