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Posts Tagged ‘Henry Weinfield’

SPRING and FALL 1992

CHARLES REZNIKOFF ISSUE

Dove Sta Memora

Charles Reznikoff, “Letters to Marie Syrkin: A Selection”

Milton Hindus, “A Poet’s Contribution to Shakespearean Interpretation and Criticism: Charles Reznikoff’s Short Story (and Appended Notes) Entitled ‘A Story for a Dramatist,’ The Menorah Journal 28.3 (Autumn 1940): 269-278″

Charles Reznikoff, “A Story for a Dramatist”

Greogorio Leti, “Excerpt from The Life of Pope Sixtus V”

The Vortex

Stephen Fredman, “Call Him Charles”

Genevieve Cohen-Cheminet, “Serial Rhythm in Charles Reznikoff’s Poetry: A Tentative ‘Misreading'”

Bruce Holsapple, “Poetic Design in Reznikoff’s Testimony

Burton Hatlen, “Objectivism in Context: Charles Reznikoff and Jewish-American Modernism”

Tom Lavazzi, “Poetic Discourse v. Legal Discourse: The Case of Charles Reznikoff”

Matthew Sweney, “Deposition: The First Testimony (1934)”

Henry Weinfield, “‘Wringing, Wringing His Pierced Hands’: Religion, Identity and Genre in the Poetry of Charles Reznikoff”

Milton Hindus, “Centennial for a Saunterer”

Benjamin Hollander, “The Eloquence in Question: Reznikoff’s ‘Manner'”

The Reviewer

Mark Scroggins (Jerome McGann, Black Riders: The Visible Language of Modernism)

Peter Kidd (Charles Olson, Maximus to Gloucester, ed. Peter Anastas)

David Grubbs (Sandra Kumamoto Stanley, Louis Zukofsky and the Transformation of a Modern American Poetics)

Peter Baker (Bruce Comens, Apocalypse and After: Modern Strategy and Postmodern Tactics in Pound, Williams, and Zukofsky)

Richard Blevins (Judith Roche, Myrrh/My Life as a Screamer)

Cover photograph of Charles Reznikoff with his niece, Camilla, 1932-33. Printed with permission of Camilla Reznikoff Wygan.


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WINTER 1993

Intersections of the Lyrical and the Philosophical
Guest edited by Stephen Fredman and Henry Weinfield

CONTENTS

Stephen Fredman, “Intersections of the Lyrical and the Philosophical”

Michael Heller, “Oppen and Stevens: Reflections on the Lyrical and the Philosophical”

Norman Finkelstein, “Bronk, Duncan and the Far Border of Poetry”

Michael Palmer, “Poems”

Grant Jenkins with Teresa Aleman and Donald Prues, “An Interview with Michael Palmer”

Ross Feld, “Some Thoughts about Objectivism”

Henry Weinfield, “‘A Thousand Threads’ and ‘The One Things’: Oppen’s Vision (A Reply to Ross Feld)”

Jeffrey Peterson, “The Siren Song of the Singular: Armantrout, Oppen, and the Ethics of Representation”

John Shoptaw, “Lyric Incorporated: The Serial Object of George Oppen and Langston Hughes”

Krzysztof Ziarek, “The Poetics Event: Stein, the Avant-Garde, and the Aesthetic Turn of Philosophy”

Paul Naylor, “On Certainty (A.K.A. Negative Capability)”

Robert Duncan photograph by Burton Hatlen; George Oppen photograph (1970), courtesy of Mary Oppen; William Bronk photograph courtesy of Paul Pines.

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WINTER 1988

WILLIAM BRONK
Special Issue
Guest edited by Burt Kimmelman and Henry Weinfield

CONTENTS

Burt Kimmelman and Henry Weinfield, “Introduction”

William Bronk, “Perspective,” “Holy Ghost,” “Deaf Beethoven,” “Emptying Out,” “The Mind’s Dispossession,” “Vicarious,” “Of Poetry,” “Coming Up Short”

Henry Weinfield, “A Conversation with William Bronk”

Allen Mandelbaum, “To Be a Bronk”

R. M. Ernest, “Silver Brushes”

Tim Longville, “Homage to William Bronk”

Mark Rudman, “Toward a Reading of the Poetry of William Bronk”

James Camp, “At the Inauguration: The Social Muse”

Samuel Hazo, “Another Word for Time: Who Promised You Tomorrow?”

Robert Creeley, “Echoes”

Sherry Kearns, “Life Under Water”

Paul Pines, “Dear Bronk”

James L. Weil, “Your Poems”

Richard Elman, “On William Bronk”

Daniel Wolff, “From Work Sonnets

Cid Corman, “Three Poems”

Richard Carella, “Odyssey”

Jonathan Williams, “A Meta-Four for Bill Bronk”

Michael Perkins, “Summer Light”

Norman Finkelstein, “The Singular Achievement of William Bronk”

Louise Chawla, “Biography of an Antibiograph”

Bruce Campbell, “‘The Mark We Do Not Cross’: The Status of the Proposition in William Bronk’s Poetry”

Edward Halsey Foster, “William Bronk’s The Brother in Elysium: The Authority of Form”

Burt Kimmelman, “Centrality in a Discrete Universe: William Bronk and Wallace Stevens”

Michael Heller, “Bronk’s Manifest

Henry Weinfield, “‘The Cloud of Unknowing’: William Bronk and the Condition of Poetry”

John Ernest, “William Bronk’s Religious Desire”

Edward Halsey Foster, “A William Bronk Checklist (A Selected Bibliography)”

Cover photos by Joyce Block and James L. Weil. Cover poem copyright William Bronk 1979.

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