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2014

Special Issue

A Festschrift for Burton Hatlen

Edited by Demetres P. Tryphonopoulos

CONTENTS

Preface

Introduction

Demetres P. Tryphonopoulos, “Burton Norval Hatlen (1936-2008)”

Dove Sta Memora

Essays on and in Honor of Burton Hatlen

Marjorie Perloff, “In Memoriam: Burton Hatlen (1936-2008)

Ellen Keck Stauder, “Of Rhythm, Image and Knowing: Burton Hatlen as a Reader of Pound”

Sara Dunton, “Hatlen’s H.D.”

Christopher MacGowan, “Burt Hatlen on William Carlos Williams”

Barrett Watten, “Thinking Through Orono: After Poetry of the 1970’s (2008)

Kaplan Harris, “Editing After Pound”

Trevor Sawler, “Burton Hatlen: An Annotated Bibliography”

On George Oppen

Kathleen D’Angelo, “‘The Sequence of Disclosure’: The Truth Hidden in Things in George Oppen’s Discrete Series

Duncan Dobbelmann, “‘A Ferocious Mumbling in Public’: How George Oppen Came to Be Canonized”

Burton Hatlen, “Oppen and the Unspeakable”

Joseph Noble, “George Oppen’s Discrete Series: Things Among Others”

Siobhan Scarry, “Oppen’s ‘We’ and the Poetics of the First Person Plural”

Demetres P. Tryphonopoulos, “The Prosody of George Oppen Poetry of the 1960’s—’Tho It Is Impenetrable'”

Essays

Ira Nadel, “Ezra Pound and MI5”

Zhaoming Qian, “Mai-Mai Sze, The Tao, and Moore’s Late Poetry”

Joshua Corey, “Robert Duncan’s Visionary Ecology”

Richard Owens, “Dissociations: The McCaffery-Prynne Debate”

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SPRING and FALL 1996

H.D.
Special Issue

CONTENTS

H.D., “The Suffragette, with a Preface by Donna K. Hollenberg”

Barbara Guest, “H.D. and the Conflict of Imagism”

Eileen Gregory, “H.D.’s Gods: Anthropology and Romantic Mythography”

Lin Knutson, “Arrested Moments: Communitas and Liminality in H.D.’s Her

Sarah E. White, “The Archaeological Context of H.D.’s ‘Secret Name’ and ‘Hesperia'”

Victoria Harrison, “When a Gift is a Poison: H.D., the Moravian, the Jew and World War II”

Christopher Galaver, “I Mend a Break in Time: An Historical Reconstruction of H.D.’s Wunden Eiland Ceremony in The Gift and Trilogy

Jane Augustine, “Preliminary Comments on the Meaning of H.D.’s The Sword Went out to Sea

Susan Acheson, “H.D. and the Age of Aquarius: Liturgy, Astrology and Gnosis in Trilogy

Michael Hardin, “H.D.’s Trilogy: Speaking Through the Margins”

Rosanne Wasserman, “H.D.’s Helen in Egypt: Comment on the Lyric”

Harriet Tarlo, “The Underworld of H.D.’s Helen in Egypt

Jeffrey Twitchell-Waas, “‘Set in eternity but lived in’: H.D.’s Vale Ave

Raffaella Baccolini, “‘There was a Helen before there was a war’: Desire in H.D.’s Winter Love and Pound’s Pisan Cantos

Kathleen Crown, “‘Let us endure’: Atomic-Age Anxiety in H.D.’s Sagesse

Cover: H.D. reprinted with permission from Beinecke Rare Book and Manuscript Library, Yale Collection of American Literature, Yale University.

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SPRING and FALL 1995

H.D.
Special Issue
Guest edited by Donna Hollenberg and Eileen Gregory

CONTENTS

The Editor

Susan Stanford Friedman, “Serendipity: Finding a Draft Manuscript of H.D.’s ‘Helen'”

Robert Spoo, “Editing H.D.’s Asphodel: Selected Emendations and Notes”

Donna Krolik Hollenberg, “‘New Puritans’ in a Civilian War: Letters Between H.D. and Norman Holmes Pearson (1941-1946)

Eileen Gregory, “Euripides and H.D.’s Working Notebook for Helen in Egypt

The Vortex

William Wenthe, “‘The Hieratic Dance’: Prosody and the Unconscious in H.D.’s Poetry”

Lawrence H. McCauley, “The Wail Cannot Di-Jest Me: Puns, Poetry, and Language in H.D.’s Trilogy

George Hart, “‘A Memory Forgotten’: The Circle of Memory and Forgetting in H.D.’s Helen in Egypt

Scott Boehnen, “‘H.D., War Poet’ and the ‘Language Fantasy’ of Trilogy

Robert G. Babcock, “Verses, Translations, and Reflections from ‘The Anthology’: H.D., Ezra Pound, and the Greek Anthology”

Kathleen Crown, “H.D.’s Jellyfish Manifesto and the Visible Body of Modernism”

Deborah Anne Moreland, “The Suffragettes, the Great War, and Representation in H.D.’s Asphodel

Cover: H.D., Pennsylvania, 1900. Photograph by Lipp Studio. Reprinted by permission of The Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library, Yale University.

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FALL 1993

CONTENTS

The Vortex

Stacy Carson Hubbard, “The Many-Armed Embrace: Collection, Quotation and Mediation in Marianne Moore’s Poetry”

Vicki Graham, “‘The Power of the Visible’: Marianne Moore and the ‘Mimetic Faculty'”

Teresa Fulker, “Not-War and the Inspiration of the Gloire in H.D.’s Bid Me to Live

Richard Frye, “‘Ascent to a Higher Plane’: The Fourth Dimension and the Imagination in Williams’s Kora in Hell and Spring and All

Penny Tselentis-Apostolidis, “On Olson’s Geographic Methodology: Quoting, Naming, Pacing and Mapping”

Susan M. Schultz, “‘The Lyric Crash’: The Theater of Subjectivity in John Ashbery’s Three Poems

The Reviewer

Richard Lowell Blevins (David Rattray, How I Became One of the Invisible)

Cover photograph by Burton Hatlen.

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WINTER 1992

CONTENTS

The Vortex

Rae Armantrout, “Feminist Poetics and the Meaning of Clarity”

Peter Quartermain, “Syllable as Music: Lyn Hejinian’s Writing Is an Aid to Memory

Shawn Alfery, “Toward Intersubjective Knowledge: H.D.’s Liminal Poetics”

Caroline Zilboorg, “Richard Aldington’s ‘Blizzard’: A Reading in Context”

Jeffery Twitchell, “Tuning the Sense: Cavalcanti, Marx, Spinoza and Zukofsky’s ‘A’-9”

Steve Shoemaker, “Carl Rakosi Interview”

The Reviewer

Norman Finkelstein (William Bronk, Some Words; Burt Kimmelman, Musaics)

Mark Scroggins (Peter Quartermain, Disjunctive Poetics: From Gertrude Stein and Louis Zukofsky to Susan Howe)

Burton Hatlen (American Poetry Today: Innovators and Outsiders, ed. Eliot Wienberger)

Cover photograph by Marie McCosh Alpert.

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WINTER 1990

H.D. / WCW

CONTENTS

The Vortex

Peter Quartermain, “‘Our Transported Maiden’: A Note on American Poetry, 1900-1945”

Sharon Dolin, “Enjambment as Modernist Metaphor in Williams’s Poetry”

Bruce Holsapple, “Williams, Whitehead and the Embodiment of Knowledge: ‘A New Order of Knowing'”

John Lowney, “‘A Plot of Ground’: The Problem of Cultural Identity in the Emergence of Williams’s Avant-Garde Stance”

Adalaide Morris, “Signaling: Feminism, Politics, and Mysticism in H.D.’s War Trilogy”

Kevin Oderman, “H.D.: The What in a Word”

The Reviewer

Michael Fournier (Louis Zukofsky, Complete Short Poetry)

John Martone (Cid Corman, of)

The cover photographs of H.D. and William Carlos Williams are by Man Ray, and were taken in the 1920s.

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FALL 1987

H.D. SPECIAL ISSUE
Guest Edited by Rachel Blau DuPlessis

CONTENTS

Anne Waldman, “H.D.”

Beverly Dahlen, “Homonymous: A Mediation on H.D.’s Trilogy

Robert Creeley, “H.D.”

Bruce Boone, “H.D.’s Writing: Herself a Ghost”

F. Dawson, “On H.D.”

H.D., “The Borderline Pamphlet”

Susan Stanford Friedman, “H.D. Chronology: Composition and Publication of Volumes”

Cassandra Laity, “H.D.’s Romantic Landscapes: The Sexual Politics of the Garden”

Eileen Gregory, “Scarlet Experience: H.D.’s Hymen

Michael Boughn, “Elements of the Sounding: H.D. and the Origins of Modernist Prosodies”

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