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Posts Tagged ‘Ezra Pound’

2014

Special Issue

A Festschrift for Burton Hatlen

Edited by Demetres P. Tryphonopoulos

CONTENTS

Preface

Introduction

Demetres P. Tryphonopoulos, “Burton Norval Hatlen (1936-2008)”

Dove Sta Memora

Essays on and in Honor of Burton Hatlen

Marjorie Perloff, “In Memoriam: Burton Hatlen (1936-2008)

Ellen Keck Stauder, “Of Rhythm, Image and Knowing: Burton Hatlen as a Reader of Pound”

Sara Dunton, “Hatlen’s H.D.”

Christopher MacGowan, “Burt Hatlen on William Carlos Williams”

Barrett Watten, “Thinking Through Orono: After Poetry of the 1970’s (2008)

Kaplan Harris, “Editing After Pound”

Trevor Sawler, “Burton Hatlen: An Annotated Bibliography”

On George Oppen

Kathleen D’Angelo, “‘The Sequence of Disclosure’: The Truth Hidden in Things in George Oppen’s Discrete Series

Duncan Dobbelmann, “‘A Ferocious Mumbling in Public’: How George Oppen Came to Be Canonized”

Burton Hatlen, “Oppen and the Unspeakable”

Joseph Noble, “George Oppen’s Discrete Series: Things Among Others”

Siobhan Scarry, “Oppen’s ‘We’ and the Poetics of the First Person Plural”

Demetres P. Tryphonopoulos, “The Prosody of George Oppen Poetry of the 1960’s—’Tho It Is Impenetrable'”

Essays

Ira Nadel, “Ezra Pound and MI5”

Zhaoming Qian, “Mai-Mai Sze, The Tao, and Moore’s Late Poetry”

Joshua Corey, “Robert Duncan’s Visionary Ecology”

Richard Owens, “Dissociations: The McCaffery-Prynne Debate”

Sag20-1a

Sag20-2a

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WINTER 1993

CONTENTS

Virginia M. Kouidis, “William Carlos Williams Among the Nightingales: The Erotics and Poetics of the Modernist Love Song”

Nicole Cooley, “‘The Act is Disclosed by the Imagination of It’: Frottage, Collage and the American Origin in the Work of William Carlos Williams”

Chris Beyers, “Marianne Moore’s and John James Audubon’s Frigate Pelican”

Cramer R. Cauthen, “Deep Image and the Poetics of Oppen’s ‘Of Being Numerous'”

Anne Dewey, “History as a Force Field in Pound, Zukofsky, and Olson”

Thomas F. Bertonneau, “Life in a Human Universe: Charles Olson’s (Post) Modernism in Context (An Antropoetics)

Review

Stephen Fredman (Modernism/Modernity, eds. Lawrence Rainey and Robert von Hallberg)

Cover photograph by Burton Hatlen.

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SPRING 1982

CONTENTS

The Excerner

Carroll F. Terrell, “Illumination and Excernment”

M. L. Rosenthal and Sally M. Gall, “William Carlos Williams’ Paterson

W. S. Milne, “Basil Bunting’s Odes

Burton Hatlen, “Zukofsky, Wittgenstein, and the Poetics of Absence”

The Explicator

Gael Turnbull, “For You Who Watch”

Reno Odlin, “Brief Notes on ‘A’

August Kleinzahler, “The Walker”

The Gallery

Mina Loy, photograph, 1957

W. C. Williams & Ezra Pound, 1958

George Oppen, early ’50s

Basil Bunting, 1979

Ian Hamilton Finley & Raspberry Republic

Little Sparta Tree-plaques

The Biographer

George Oppen, “Pound in the U.S.A., 1969”

Cid Corman, “Meeting in Firenze”

Fielding Dawson, “On Olson, with References to Guy Davenport”

David Gordon, “Zuk on His Toes”

Jonathan Williams, “Mina Loy: (An Old Essay and a New Note)”

The Reviewer

Ron Silliman (Bruce Andrews, Wobbling)

Reno Odlin (Guy Davenport, Eclogues: Eight Stories)

The cover design is by Reno Odlin.

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