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Posts Tagged ‘Demetres Tryphonopoulos’

2014

Special Issue

A Festschrift for Burton Hatlen

Edited by Demetres P. Tryphonopoulos

CONTENTS

Preface

Introduction

Demetres P. Tryphonopoulos, “Burton Norval Hatlen (1936-2008)”

Dove Sta Memora

Essays on and in Honor of Burton Hatlen

Marjorie Perloff, “In Memoriam: Burton Hatlen (1936-2008)

Ellen Keck Stauder, “Of Rhythm, Image and Knowing: Burton Hatlen as a Reader of Pound”

Sara Dunton, “Hatlen’s H.D.”

Christopher MacGowan, “Burt Hatlen on William Carlos Williams”

Barrett Watten, “Thinking Through Orono: After Poetry of the 1970’s (2008)

Kaplan Harris, “Editing After Pound”

Trevor Sawler, “Burton Hatlen: An Annotated Bibliography”

On George Oppen

Kathleen D’Angelo, “‘The Sequence of Disclosure’: The Truth Hidden in Things in George Oppen’s Discrete Series

Duncan Dobbelmann, “‘A Ferocious Mumbling in Public’: How George Oppen Came to Be Canonized”

Burton Hatlen, “Oppen and the Unspeakable”

Joseph Noble, “George Oppen’s Discrete Series: Things Among Others”

Siobhan Scarry, “Oppen’s ‘We’ and the Poetics of the First Person Plural”

Demetres P. Tryphonopoulos, “The Prosody of George Oppen Poetry of the 1960’s—’Tho It Is Impenetrable'”

Essays

Ira Nadel, “Ezra Pound and MI5”

Zhaoming Qian, “Mai-Mai Sze, The Tao, and Moore’s Late Poetry”

Joshua Corey, “Robert Duncan’s Visionary Ecology”

Richard Owens, “Dissociations: The McCaffery-Prynne Debate”

Sag20-1a

Sag20-2a

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FALL and WINTER 1999
(publication date 2002)

William Carlos Williams and the Language of Poetry
Edited by Burton Hatlen and Demetres Tryphonopoulos

CONTENTS

Suzanne W. Churchill, “William Carlos Williams and the Poetics of Ending Others

Kerry Driscoll, “Inversions, Evasions, Strange Machinations of Desire: William Carlos Williams and the Baroness Revisited”

Bruce Holsapple, “Williams on Form: Kora in Hell

Tom Orange, “William Carlos Williams Between Image and Object”

Piotr Parlej, “Imagine the Outside: Metaphor in William Carlos Williams”

Michael Boughn, “Reanimated Numbers and Sounding’s Modulations in Two Poems by William Carlos Williams”

George W. Layng, “Rephrasing Whitman: Williams and the Visual Idiom”

Mark Gorey, “Reading Paterson Book One: The Interpenetration of Metaphor and the ‘Gathered Spray’ of Language”

Brian M. McGrath, “Towards a Poetry of the Present: William Carlos Williams’s Paterson, Book Three”

Shane Rhodes, “Matrimony of the Sign: The IDea and the Thing in William Carlos Williams’s Paterson

Darryl Whetter, “Pounding the Concrete: Williams’s Paterson as Typographical Pastoral”

Norman Finkelstein, “The Crisis of Language and Poetic Identity in Williams’s ‘The Desert Music'”

Aldon Nielsen, “William Carlos Williams and the New Black Poetries”

Donald Wellman, “A Complex Realism: Reading Spring and All as Seminal for Postmodern Poetry”

Cover: Fragment of a Williams poem, courtesy of the William Carlos Williams estate, New Directions Publishing Corp., New York, New York. Reproduced with the permission of The Poetry/Rare Books Collection, University Libraries, University at Buffalo, The State University of New York.

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