SPRING and FALL 1992
CHARLES REZNIKOFF ISSUE
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Dove Sta Memora
Charles Reznikoff, “Letters to Marie Syrkin: A Selection”
Milton Hindus, “A Poet’s Contribution to Shakespearean Interpretation and Criticism: Charles Reznikoff’s Short Story (and Appended Notes) Entitled ‘A Story for a Dramatist,’ The Menorah Journal 28.3 (Autumn 1940): 269-278″
Charles Reznikoff, “A Story for a Dramatist”
Greogorio Leti, “Excerpt from The Life of Pope Sixtus V”
The Vortex
Stephen Fredman, “Call Him Charles”
Genevieve Cohen-Cheminet, “Serial Rhythm in Charles Reznikoff’s Poetry: A Tentative ‘Misreading'”
Bruce Holsapple, “Poetic Design in Reznikoff’s Testimony“
Burton Hatlen, “Objectivism in Context: Charles Reznikoff and Jewish-American Modernism”
Tom Lavazzi, “Poetic Discourse v. Legal Discourse: The Case of Charles Reznikoff”
Matthew Sweney, “Deposition: The First Testimony (1934)”
Henry Weinfield, “‘Wringing, Wringing His Pierced Hands’: Religion, Identity and Genre in the Poetry of Charles Reznikoff”
Milton Hindus, “Centennial for a Saunterer”
Benjamin Hollander, “The Eloquence in Question: Reznikoff’s ‘Manner'”
The Reviewer
Mark Scroggins (Jerome McGann, Black Riders: The Visible Language of Modernism)
Peter Kidd (Charles Olson, Maximus to Gloucester, ed. Peter Anastas)
David Grubbs (Sandra Kumamoto Stanley, Louis Zukofsky and the Transformation of a Modern American Poetics)
Peter Baker (Bruce Comens, Apocalypse and After: Modern Strategy and Postmodern Tactics in Pound, Williams, and Zukofsky)
Richard Blevins (Judith Roche, Myrrh/My Life as a Screamer)
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Cover photograph of Charles Reznikoff with his niece, Camilla, 1932-33. Printed with permission of Camilla Reznikoff Wygan.
