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Archive for the ‘1992-1996 (vols. 11-15)’ Category

FALL 1993

CONTENTS

The Vortex

Stacy Carson Hubbard, “The Many-Armed Embrace: Collection, Quotation and Mediation in Marianne Moore’s Poetry”

Vicki Graham, “‘The Power of the Visible’: Marianne Moore and the ‘Mimetic Faculty'”

Teresa Fulker, “Not-War and the Inspiration of the Gloire in H.D.’s Bid Me to Live

Richard Frye, “‘Ascent to a Higher Plane’: The Fourth Dimension and the Imagination in Williams’s Kora in Hell and Spring and All

Penny Tselentis-Apostolidis, “On Olson’s Geographic Methodology: Quoting, Naming, Pacing and Mapping”

Susan M. Schultz, “‘The Lyric Crash’: The Theater of Subjectivity in John Ashbery’s Three Poems

The Reviewer

Richard Lowell Blevins (David Rattray, How I Became One of the Invisible)

Cover photograph by Burton Hatlen.

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SPRING 1993

CONTENTS

The Vortex

Thomas F. Bertonneau, “Consecrated in Blood/Unjustly Accused: The Ethical Paradox of WCW’s In the American Grain (An Anthropoetics)”

Jeff Poggi and Sergio Rizzo, “The Novel Poetry of Paterson

Peter Baker, “Blackburn’s Gift”

Luke Carson, “The Protesting Furor: Robert Duncan’s ‘Metaphysical Genius'”

David Kadlec, “The Flowering of Miss Jack Tar: Symzonia, Pym, and Paul Metcalf’s Both

The Bibliographer

Tom Lavazzi, “Gary Synder: An International Checklist of Criticism”

Vincent Prestianni, “Frank O’Hara: An Analytic Bibliography of Bibliographies”

Vincent Prestianni, “Kenneth Koch: An Analytic List of Bibliographies”

The Reviewer

Michael Fournier (Artie Gold, The Beautiful Chemical Waltz: Selected Poems)

Richard Lowell Blevins (Sherman Paul, For Love of the World: Essays on Nature Writers)

Robert Joseph Podgurski (Richard Blevins, The Somnolent Lucidity of Three Sleeps)

Cover photograph by Marie McCosh Alpert.

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WINTER 1992

CONTENTS

The Vortex

Rae Armantrout, “Feminist Poetics and the Meaning of Clarity”

Peter Quartermain, “Syllable as Music: Lyn Hejinian’s Writing Is an Aid to Memory

Shawn Alfery, “Toward Intersubjective Knowledge: H.D.’s Liminal Poetics”

Caroline Zilboorg, “Richard Aldington’s ‘Blizzard’: A Reading in Context”

Jeffery Twitchell, “Tuning the Sense: Cavalcanti, Marx, Spinoza and Zukofsky’s ‘A’-9”

Steve Shoemaker, “Carl Rakosi Interview”

The Reviewer

Norman Finkelstein (William Bronk, Some Words; Burt Kimmelman, Musaics)

Mark Scroggins (Peter Quartermain, Disjunctive Poetics: From Gertrude Stein and Louis Zukofsky to Susan Howe)

Burton Hatlen (American Poetry Today: Innovators and Outsiders, ed. Eliot Wienberger)

Cover photograph by Marie McCosh Alpert.

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SPRING and FALL 1992

CONTENTS

The Vortex

Thomas Gardner, “Reading the Contemporary Long Poem”

Ron Silliman, “I Wanted to Write Sentences: Decision Making in the American Longpoem”

Burton Hatlen, “From Modernism to Postmodernism: Zukofsky’s ‘A’-12”

Joseph M. Conte, “Seriality and the Contemporary Long Poem”

Anne Dewey, “The Relation between Open Form and Collective Voice in John Ashbery’s Three Poems and Ed Dorn’s Gunslinger

Mark Scroggins, “A ‘Sense of Duration’: Wallace Stevens, Louis Zukofsky, and ‘Language'”

Ruth A. Grogan, “‘Talk is what it’s about’: William Bronk’s Colloquiality”

Gerard Donnelly Smith, “Music of the Spheres”

The Biographer

M. A. Syverson, “The Community of Memory: A Reznikoff Family Chronicle”

Robert Franciosi, “Facing the Fifties: A New Reznikoff Manuscript”

Jayne Marek, “Marianne Moore’s Editorship of The Dial

Keith Tuma, “‘Anglo-Mongrels and the Rose'”

The Bibliographer

Vincent Prestiannia, “Charles Olson: An Analytic Bibliography of Bibliographies and Selective Checklist of Special Collections, Textual Studies, and Miscellanea”

Vincent Prestiannia, “John Ashbery: An Analytic Bibliography of Bibliographies”

The Reviewer

Timothy Materer (Marjorie Perloff, Radical Artifice: Writing Poetry in the Age of Media)

Michael Fournier (E. E. Cummings, Complete Poems 1904-1962, ed. George J. Firmage)

John Peck (Basil Bunting, Briggflatts und andere Gedichte)

Mark Scroggins (Joseph M. Conte, Unending Design: The Forms of Postmodern Poetry)

Cover photograph of Charles Reznikoff with unidentified student, 1970.

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